Why would you use regular stairs?
Posted on 10.13.09 by Alexandre Maron @ 16:07

In many many places people have a decision to make: escalators or regular stairs?

Oh, we know that using regular stairs is a good option to keep you healthy. But it’s tiresome too, right? So, people tend to use the escalators instead. Let them be happy with their decision.

Or else.

Wat if using the regular stairs was, well, fun? Then it would look a lot like this.


Filed under: New Ways to Play and The World as a Playground
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Wired is trying to play
Posted on 09.07.09 by Alexandre Maron @ 05:30

A few weeks ago, inspired by a story they ran about people that purposely disappear and start new lives, Wired proposed a game with its readers: Find Evan Ratliff, the writer of that article.

Now, they have another proposal: help a guy (called Terminal Man by the magazine) on his adventure traveling on JetBlue planes every day for a month. There are rules: he can’t use hotels, he has to fly every day (unless something like a hurricane stops him from doing that), he can only use carry on luggage and so on. And the readers will decide where he should go next.

Again, Play Factor is not just creating games like these. But these games are manifestations of the Play Factor principle, of course. The magazine is trying to motivate its readers and to that end, they are really trying to create rich narratives and inviting the audience to go with them.


Filed under: New Ways to Play and The World as a Playground
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The shape of things to come: Crowdsourced journalism + ARG
Posted on 09.03.09 by Alexandre Maron @ 03:01

Even unexpectedly, news stories can become a game. The TV show Fantástico, a weekly variety show with dramaturgy, humor sketches and journalism that airs every Sunday night in Brasil on TV Globo, ran a story about how a singer called Belchior, very popular in the 1970s, had vanished for months.

The arm of Globo?s journalism online, G1, ran the story (originally produced for the TV show) in digital form (sorry, link in portuguese). They transcribed part of the text from the video and it was online a few hours after it was seen on television. Immediately, readers from every part of the country started to send information about Belchior sightings. They had photos, stories and dates. “We didn?t expect that”, says Renato Franzini, executive-editor of G1. “In the morning, we had many messages telling us about sightings of the singer. We decided to put it all together and make it a new developing story.”

The editorial team made a map where it was possible to pinpoint a sighting and the date Belchior was seen there. This is an example of a challenge that was established for the audience (find Belchior) even though nobody in the TV show or the website, asked for the help of the audience. It emerged naturally. People started to post videos on You Tube parodying Britney Spears while Fantástico kept promoting the story with other artists talking about the singer.

The news story became suddenly something that looked a lot like an Alternate Reality Game. And people even started to think that it was some kind of promotion or viral.

After one week, the TV show ran a story showing that they had found the singer in a cabin in Uruguai, ending the search. The way the show handled the highly anticipated finding of the singer was an anticlimax at best, but the original concept is too good to be ignored. The mix of crowd sourced journalism and ARG is a very interesting tool in the new cross over between social media tools and media outlets.


Filed under: New Ways to Play and Rules of the Game and Social Media and The World as a Playground
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The final laugh
Posted on 06.28.09 by Alexandre Maron @ 11:22

whysoserious

We have a lot to learn with the ARG (Alternate Reality Games) puppetmasters (the guys that manipulate the events from behind the curtains) for our media products. And 42 Entertainment is the company to look up to. They won the Grand Prix Award at the Cannes Cyber Lions ceremony on June 24 for the Why So Serious campaign, for the movie Batman – The Dark Knight. Las year, they won the same prize for another campaign for Nine Inch Nails. And if they didn’t win this year, it would be a huge surprise.

More than a year before the launch of the movies on theaters, the fans of Batman were frantic over a seres of websites and events around an election in Gothan City and the crazy actions of an assassin clown.

It was 42 Entertainment’s Why So Serious campaign running full power, although, almost stealthily. The crazy beauty of these ARG campaigns is the way they deceptively make noise indirectly, creating waves of excitement that generates spontaneous reactions from fans. They engage and start talking about it in forums, blogs and social networks. At some key moments, the fictional events suddenly transpire to real life and call attention of the conventional media outlets. There is something happening and they just can’t ignore.

A well run ARG-viral campaign like this makes waves with no press releases. It becomes a real world event on itself. It has to become news at some point. People spontaneously make it happen.

But when I say spontaneously, I am not saying that there is no manipulations. Oh no. That’s exactly the opposite. As Alfred Hitchcock said in interviews, he played his audience like an instrument. He put images, sound, music to get exact responses from his audience on theaters. He said he played his audience like a musican instrument.

It’s always stimulation. But we have to think about what what is the one we want to give. For media as entertainment, it is straight forward in a way (but as hard as always, I must say). You just have to work towards the right impact and feelings on your crowd.

But when we talk about journalism, there is something that just don’t add up. Journalist tend to talk about the purity of the profession. About how everything that we report has to have a sound reason, a foot on the public interest and common well. Using this principle, something that is not popular or that generates no interest, but is important, has to be there, no matter what. I agree with this necessity of reporting relevant news no matter how hard (or boring) they are.

But in reality, we know very well what happens. Important things that doesn’t excite people anymore, are relegated to less than stellar spaces. It’s like we are saying: “oh damn, i have to release this information, but it is not exciting anymore. So let’s put this note about Swine Flu on page 10, in the bottom”.

So, although journalists hate to admit, which is silly but that’s how life is, there is an entertainment level in their work that can’t be ignored. We should learn to embrace it and use it for good. Well, some of us do it already. A few even do it in a very good way.


Filed under: New Ways to Play and Rules of the Game and The World as a Playground
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Pandemia: the game of world domination
Posted on 05.03.09 by Alexandre Maron @ 16:48

This is not the central point of my research, but I will always talk about how we use interfaces that reminds us of games. These are more metaphors and not always pratical or workable concepts.

Have a look at how everyone, everyone that matters, at least, used mashups with maps and shiny graphics to keep track of how the Swine Flu (ridiculously renamed Novel Flu H1N1 by WHO, CDC whatever).

guardian_map

nyt_map


Filed under: Interfaces and The World as a Playground
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Playing the April Fool’s day game
Posted on 04.02.09 by Alexandre Maron @ 04:38

Didn’t you look for jokes yesterday? I love April Fool’s Day. I just browse everywhere looking for practical jokes in media outlets that are, most of the time, serious.

The Guardian (that dropped the paper in favor of turning into a Tweetercentric site) made a list of some cons spotted through the internet.

And I have my personal list:

eye-camera

Eye-Camera, from Kodak

Google launches Cadie, an intelligent system that will help them in the near future in keeping the company as the most innovative. Well, there’s a learning curve

Amazon announces the REAL cloud computing. They are taking computer up-up-and awayyy!!

CrunchGear became part of a line of cereals (crunch, got it?) of General Mills!!

Kodak shows its pretty Eye-Camera. Wow!! What a gadget!

Gmail shows it’s new amazing functionality: auto-pilot. The, hum, intelligent system answers your messages for you! As an example, they show how it would answer the classic nigerian prince spam.

screenshots

And there is obviously a lot more around. Life is playground.


Filed under: New Ways to Play and The World as a Playground
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Hi, my name is Alexandre Maron. PlayFactor gathers my research and random ideas about the use of play concepts to make your product (be it a newspaper, a magazine or just your company website) engaging for the right audience. To do that, I will talk about interaction and game design, community management and all that crazy stuff that make your head spin. It will be a lot of fun.

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    Recent Entries
    Why would you use regular stairs?
    Wired is trying to play
    The shape of things to come: Crowdsourced journalism + ARG
    The final laugh
    Book: The Theory of Fun, Raph Koster
    Media: How it has changed
    (Really) Playing with your messages
    The game of bidding
    The best ones play with you
    Dinner time!
    Pandemia: the game of world domination
    Playing the April Fool's day game
    Wolverine: the leak
    Power to designers
    A game of sorts

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